Download Ebook A Theory of Harmony (SUNY Series in Cultural Perspectives), by Ernst Levy
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A Theory of Harmony (SUNY Series in Cultural Perspectives), by Ernst Levy
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In this introduction to natural-base music theory, Ernst Levy presents the essentials of a comprehensive, consistent theory of harmony developed from tone structure. A Theory of Harmony is a highly original explanation of the harmonic language of the last few centuries, showing the way toward an understanding of diverse styles of music. Basic harmony texts exist, but none supply help to students seeking threads of logic in the field. In a text abundantly illustrated with musical examples, Levy makes clear the few principles that illuminate the natural forces in harmony. He shows that general principles can be successfully extracted from the wealth of examples. This book actually provides a theory of harmony.One of the major musical minds of the twentieth century, Ernst Levy was born in Basel, Switzerland, in 1895. His musical career spanned more than seven decades, from his first public piano performance at age six. A naturalized U.S. citizen, he lived here from 1941 to 1966, teaching at the New England Conservatory, the University of Chicago, Bennington College, the Massachusetts institute of Technology, and Brooklyn College. After his retirement, Levy returned to Switzerland where he continued to compose until his death in 1981. He was an enormously productive composer, with hundreds of works to his credit including symphonies, string quartets, songs in English, French, and German, and music for solo instruments and small ensembles. His piano recordings, particularly of the last Beethoven sonatas and the Liszt sonata, have become collectors’ items. He thought of himself as a successor to Reimann, immediately, and Rameau, more remotely.
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Product details
Series: SUNY Series in Cultural Perspectives
Paperback: 112 pages
Publisher: SUNY Press (August 1, 1985)
Language: English
ISBN-10: 0873959922
ISBN-13: 978-0873959926
Product Dimensions:
6 x 0.3 x 9 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#154,190 in Books (See Top 100 in Books)
This is certainly an interesting read for people who, as I do, are into music theory, but not an easy one. I bought it because of the buzz around Jacob Collier's "Negative Harmony", and I wanted to have first-hand experience with the base material.As Collier explains, the author builds his theory above the idea that there is an "undertone series", symmetric to the natural overtone harmonic series, but the similarity with Collier's negative harmony ends here. While Collier's idea yields fun chord substitutions, Levy uses his geotropic conception to derive 4 alternative ("natural") cadencial orders.I found the overall work truly mind expanding, even if I am not advanced enough in my practice of music for this essay to be immediately of use to me. There will be a day when I'll be looking for new ideas to compose and make music, and that day, I'll certainly be glad that I've read about Levy's polarity concept, his "absolute" vs. "telluric" minor chords, and the alternative cadential movements that come with these concepts.
This book is a gem and the idea of polarity being an "unheard" but functional aspect of the reality of tonal gravity is very rewarding. I think it is connected to The Lydian Chromatic Concept of George Russell and I would not be surprised if Russell was aware of it as he developed his ideas.
The topic of Negative Harmony is hot on the internet right now since Jacob Collier mentioned it. This is the book he talked about and I don't know of another on the topic. There are a number of article on Negative, but not a lot of books, so if interested this it.
This would be a 3-star for some and a 5-star for others. I always want to be fair in my reviews, and I will try to be fair this time.Ernst Levy is clearly someone who knew his music. He was a world-class composer. I do not wish to diminish who he was at all.I just want to be clear about this book, if you are thinking about making a purchase. In this book, Mr. Levy has taken music, placed it into a test tube, shaken it, and poured it out. It is filled with charts and the theory of music, but music is not charts and theory is it?...really. Music is sound and hopefully a sound that elevates the human spirit. I will let more qualified people determine whether his compositions do that, or you can determine that yourself via the internet.If you are looking for a book that is a highly technical theory book about music, then this is your book. Be aware that, as often the case with professors, good communication does not always seem to be a high priority. For example, here is a sentence in the book: "The data on both levels will then become mutually symbolic." What?! I have no idea what that means.This is not a book on how to compose music. Not really. It is not a book on how to arrange or orchestrate either. I say all of this to merely let the potential buyer understand the book he/she is contemplating purchasing. It is my opinion that this book is not an easy read, simply because the author does not communicate that well via the written word, i.e., it is my opinion that the author writes to impress; not to communicate a concept/idea. The book is only 99 pages, including the appendix, but do not buy the book, if you think that those 99 pages will be a fast read. You will have to "chew" on each sentence. But, I am not saying not to buy it. I simply want you to understand what it is before you buy it.
Interesting and useful. Could have been written more clearly with less alambicated explanations that are not always making light into the issue. Could be though just the fault of the reduction made to the original writings of mr. Levy.
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