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From Booklist
In his debut poetry collection, Martinez translates the unique nature of his autobiography with an acute ear for rhythm, transporting readers from barrio alleyways to the shipyards of San Diego to the halls of Houston academia, broaching such topics as young fatherhood, gang life, and stereotypical masculinity with refreshing candor and linguistic savvy. In the same breath, Martinez allows his poetic speakers to address adolescent slap boxing and Mayan athleticism, rare-book collecting and small-time drug dealing. By turns acoustically playful (“the kicking of her feet / makes the splayed sheets shake”) and profoundly honest (“childhood is a form of taxidermy”), Martinez creates a hybrid universe in which T. S. Eliot and Emily Dickinson drink malt liquor. From the tattoos of gangbanging brothers to the spiked fruit of canyon cacti, Martinez revels in the extraordinary contradictions that arise when poetry arrives stomping, chanting, and slinging urban grit against the polished facade of the ivory tower. A necessary addition to Chicano, Latino, and American poetry alongside writers Rodney Gomez, Laurie Ann Guerrero, and Rosebud Ben-Oni. --Diego Báez
Review
Questions of masculinity and power run throughout, and the poems feel simultaneously intimate and spectacular as the voice strikes registers of vulnerability and bravado. For all the narratives of strife the collection contains, Martinez’s poetics are anything but grim. Rather, there is a delight in language play and a lexicon that spans slang to theory.”
Publishers Weekly
This debut by Martinez reveals a young poet who combines the kinesthetic energy of swift movement with the quick anticipation of one whose continued survival depends largely on his ability to act. . . . This first collection serves youth, and, as with many such books, this reviewer is curious to know what Martinez’s poetry might look like once the summer of 1994 is as stale as the summer of 1969, and awaits with interest the kind of world Martinez writes once school is out for good.”
Library Journal
In his debut poetry collection, Martinez translates the unique nature of his autobiography with an acute ear for rhythm, transporting readers from barrio alleyways to the shipyards of San Diego to the halls of Houston academia, broaching such topics as young fatherhood, gang life, and stereotypical masculinity with refreshing candor and linguistic savvy. . . . A necessary addition to Chicano, Latino, and American poetry.”
Booklist
"Wild syntax dances between enchanted frogs and border crossing, and between the mystery of life and the mystery of recounting it. "The world brims with signs," Martinez writes, and in his hands the landscape of the past keeps being open to rereading....There are many raw and rich moments in this book.... Perhaps there is no way to make grief into a diamond. But Martinez has made something rare, and living, and glittering nonetheless."
NPR, "All Things Considered"
Growing up in a broken home, living in a barrio, and joining a gang did not stop Martinez from transcending the low expectations of his troubled youth. The current Ph.D. candidate nurtured those raw experiences into sophisticated material that informs his startling poems.”
BuzzFeed, The 14 Must-Read Works of Chicano Literature”
About the Author
David Tomas Martinez: David Tomas Martinez has published in San Diego Writer's Ink, Charlotte Journal, Poetry International, and been featured in Border Voices. A Ph.D. candidate at the University of Houston, Martinez is also an editor for Gulf Coast.
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